circulation
The Horror
How curious that Joseph Conrad’s novella Heart of Darkness (1899) is not read as a horror story, because that’s what...
Charades: A Critique of Corridor Criticism
The often tedious little melodrama of art criticism has been loath to examine its own institutional supports, while cheerily sweeping...
Essex Hemphill: Take Care of Your Blessings
Scale is often used as a metric of significance. For viewers eager to be emersed in proclamations of artistic genius,...
Idol Horrors: The Thrills and Chills of Obsession
“What’s the difference between love and obsession?” There’s a scene in Alex Russell’s film Lurker (2025) in which Oliver (Archie...
What is a Critic Now?
This essay was originally published in ART PAPERS November/Decmber 1990, Vol 14, Issue 6. What is a critic now? From...
Art and The Public
This essay was originally published in ART PAPERS November/Decmber 1990, Vol 14, Issue 6. Whatever its aesthetic or philosophical merits,...
Plantation Horror
Plantations, as we understand them, declined after Emancipation. But the plantation of the American South has endured in the cultural imagination because of its ability to relentlessly innovate. The Southern plantation—as a place, and as an idea—has become decoupled from its violent past, making it easier to commodify for public consumption.
The Criticism of Quality and the Quality of Criticism
This essay was originally published in ART PAPERS November/Decmber 1990, Vol 14, Issue 6. The New York Times headline was...
Criticism and Theory
This essay was originally published in ART PAPERS November/Decmber 1990, Vol 14, Issue 6. In the 1970s, as wave after...
The Role of Art Criticism in the Community
This essay was originally published in ART PAPERS November/Decmber 1990, Vol 14, Issue 6. It was the scariest morning of...