November/December 2016
Looking for Black Art in Baltimore
Faced with limited support and resources in their city, artists discuss what it means to leave — and what it means to come home.
Flow Through: Bahar Yürükoğlu
Processing the politics of “a timeless, borderless place,” an artist proposes a new mythology.
Lupita
The evolution of a gender-fluid individual navigating the intersection between private life and the public space.
The Good Soil: Michael John Whelan
Photographing the Global Seed Vault, an artist experiences “a sobering feeling of inescapability” at the junction of geological past and humanity’s future physical fragility.
Four Edges of Pyramiden: Ieva Epnere
A woman in a blue dress “symbolizes the Russian ‘dream’ of an ideal state or place on earth.”