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Elvia Wilk & Sasha Cordingley in Conversation

Thursday, February 23, 2023 @ 4:00 pm

@artpapers Instagram Live

Join us February 23 via Instagram live as Elvia Wilk and Sasha Cordingley discuss their contributions to our Winter 2022/23 issue, Other Species. They will discuss Wilk’s glossary text Parasite (n.) and Cordingley’s review of Korakrit Arunanondchai and Alex Gvojic’s PRAY.

Sasha Cordingley (she/they) is an arts and culture writer from Hong Kong and the Philippines. Their writing has been featured in Hyperallergic, C Magazine, ART PAPERS, and Dirt.

Elvia Wilk is a writer living in New York. She is the author of the novel Oval and the essay collection Death by Landscape. She contributes to publications including The New York Review of Books, The Nation, The Atlantic, Granta, n+1, Bookforum, Artforum, frieze, and 4Columns, and is a contributing editor at e-flux journal.

different ways to describe the ends of things
notes on Laurie Anderson

ID: A video still of artist Laurie Anderson, cropped against a light blue-and-white background. Anderson, a White woman in her...

Type:: Features

Source:: Winter 2022/23

Credit:: Text / Christopher Robert Jones

Cornell Labs Panama Fruit Feeder Cam at Canopy Lodge

The Fruit Feeder can be viewed as a kind of durational performance art. Its participants may be unaware of their roles, but they perform their daily dramas nevertheless. Fights between peckish birds over the best bit of mango or the prime perch on a branch often rattle the otherwise tranquil setting. The overwhelming growth and decay of the surrounding forest and the exhausting, relentless tussle between life and death infuse the scene with a kind of madness

Type:: Reviews

Credit:: Text / EC Flamming

Elvia Wilk & Sasha Cordingley in Conversation

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different ways to describe the ends of things notes on Laurie Anderson

Cornell Labs Panama Fruit Feeder Cam at Canopy Lodge

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different ways to describe the ends of things
notes on Laurie Anderson