Maxwell Paparella

Copy Editor

The camera is angled upward to show a duck shaped building in the left half of the frame, with a blue sky in the background and a line of trees along the bottom of the frame, the perplexed-looking white man's head protrudes, brow furrowed, from the right side of the bottom of the frame.
The camera is angled upward to show a duck shaped building in the left half of the frame, with a blue sky in the background and a line of trees along the bottom of the frame, the perplexed-looking white man's head protrudes, brow furrowed, from the right side of the bottom of the frame.
The camera is angled upward to show a duck shaped building in the left half of the frame, with a blue sky in the background and a line of trees along the bottom of the frame, the perplexed-looking white man's head protrudes, brow furrowed, from the right side of the bottom of the frame.

Maxwell Paparella has worked with Art Papers as a copy editor and contributor since 2019. His writing has also been published in BOMB, the Brooklyn Rail, Pioneer Works’ Broadcast, and elsewhere. He has edited books, catalogs, didactic materials, and dissertations for authors, artists, curators, and scholars. Paparella has edited nonfiction films that have appeared in True/False, International Film Festival Rotterdam, New Directors/New Films, Performa, and the Whitney Biennial. He holds a B.A. from Bard College in Film + Electronic Art. He currently serves as the managing editor of Screen Slate. He lives in the city of New York.