Art Papers  





May/June 2014
 

Àsìkò in Dakar
Amanda H. Hellman discusses the tradition and future of West African experimental arts education.
 

The Common Network
Stephanie Bailey follows Amar Kanwar's The Sovereign Forest and Stephen Willats' Inside the Ocean as maps towards social reform.
 

OPINION
Give Us CPR
Trial lawyer Gerald FitzGerald calls for a centralized provenance database, funded by a levy on market sales.
 

*CORRESPONDENCE*
To: Constant Dullaart; From: Carson Chan;
Re: Balconism

A curator and writer responds to a manifesto calling for sovereign communication in the digital age.
 

*WEB EXCLUSIVE - VIDEO*
First Person Leaky
by Rosa Aiello

A subjective camera seeks clarity in an intimate space; interruptions articulate the whole.

 

Being as Glass Eel
Rosa Aiello's textual veil reveals the form of the object beneath it.
 

Above and Beyond the Fence Line
Breonne DeDecker and Darin Acosta map the uncharted industrial territories of southern Louisiana.
 

Visibility Machines:
Harun Farocki and Trevor Paglen

Niels Van Tomme and Jeroen Wille scan the work of two artists confronting the structures concealed within military image-making.
 

RELiable COMmunications
Yuri Pattison finds humanity in advanced communication technologies; he and Karen Archey discuss.
 

Art of the Stateless State
Jonas Staal calls for a state of permanent, stateless revolution.
 

Occession
Douglas Coupland secedes the Occident (so you don't have to).
 

Red Wine
A poster hails Nicolas Ceccaldi's public institutional debut at Kunstverein München [April 25-June 15, 2014].
 

Reviews
Inside CERN (Lars Müller Publishers); Alien She (Philadelphia); James Lee Byars (Detroit); Mel Chin (New Orleans); Simon Denny (Colchester, UK); HIWAR (Amman, Jordan); Critical Machines (Beirut, Lebannon)
 

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*WEB EXCLUSIVE - VIDEO*
Hatsune Sings: AGNES x Frances
by Cécile B. Evans

Hatsune Miku, a Japanese vocaloid, interprets a Skype conversation between AGNES and the artist Frances Stark.
 

*PDF READING GROUP*
The Joy of Marginality
From our archive, Adrian Piper's essay from the July/August 1990 edition.

 





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