Home

Re’al Christian speaks with Kenneth Tam about his recent work Silent Spikes; the entwined mythologies of American Cowboys with Chinese laborers on the Transcontinental Railroad; and the intimacy—and intensity—of male coming-of-age rituals.

The implications of emerging fully black and fully queer into the art world, and of creating images wherein men touch.

Charting the historical, cultural, and scientific resonances of milk, the exhibition draws connections between protection and power. Across the works, milk closes the space between bodies. It destabilizes those things we typically consider natural, and it asks who gets to participate in the fantasy of motherhood.

Haldeman’s paintings capture the way quotidian images inform how we fashion ourselves, how we move about the world. They ask, “How do we wear ourselves into becoming ourselves? And what do things, such as inanimate objects and advertisements, demand from us?

“The act of binging is one of abjection. It demonstrates the power of something inanimate, or no longer animate, over human beings—in this case, food. The abject manifests viscerally as squirming, belching, or vomiting. Such images threaten the common belief that eating is pleasurable, a notion that begins in infancy.”

In German, alt means old.

On fear, inhibition, and “freedom.”

BTS’ offers a new incarnation of the boy band, one that refuses the limitations of Western, propagandized stereotypes and White supremacist ideals, intent instead on promoting self-acceptance.

Urban life can be alienating; it limits our mobility and entraps us in fantasy. In Hong Kong, an artist’s erotic animations offer brief release.

Kojo Griffin has a theory about the undead, the art world, and you.

Letter from the Editor

An interview introduces Katherine Jentleson, scholar and curator of folk art, now at the High Museum of Art.

War Inna Babylon is not an exhibition; it is an everyday lived reality. Although we’ve exhibited some of the experience, I want people to feel it, feel like they have to do something, and [then] ask what we do next. To understand that you can’t sit on the fence, because if you do, you are supporting the status quo.

The breathtaking range of topics in Designing Motherhood—choices of whether to conceive children or take a pregnancy to term, infant mortality, sterilization abuse, thalidomide, cesarean birth curtains, masculine birth, baby formula, the faja (a wrap for binding a postpartum abdomen), gender reveals, the Del Em Device, car seats, carers and carrying, the tie-waist skirt, the breast pump, and so on—reveals the immense, intricate knowledge necessary to understand reproductive health, and to advocate for conditions that promote wellbeing.

Blood corrupts conventions of purity and privacy to suggest all elements of the body can be used for expression.